Ustaad Bhagat Singh Review!

Release Date: March 19, 2026

Cast: Pawan Kalyan, Sreeleela, Raashii Khanna, Parthiban, Rao Ramesh, KS Ravikumar, and others

Director: Harish Shankar

Producers: Naveen Yerneni, Ravi Shankar Yalamanchili

Music Director: Devi Sri Prasad & Thaman

Cinematographer: Ayanaka Bose

Editor: Karthika Srinivas

Story:

Chadhala Marri Nalla Nagappa (Parthiban), an ambitious politician, plans to assassinate Telangana Chief Minister Chandrasekhar Rao (KS Ravikumar). Meanwhile, his son goes missing in the Nallamalla forest under mysterious circumstances. The investigation leads to Ustaad Bhagat Singh (Pawan Kalyan), who is believed to be behind the disappearance. Who is Bhagat Singh? What is his connection with Nagappa? The film unfolds the reasons behind their conflict and the truth behind these events.

Plus Points:

Pawan Kalyan shines in his trademark mass avatar, delivering powerful dialogues and stylish action sequences that will please fans. His screen presence remains the film’s biggest strength.

Parthiban gives a composed performance, and his confrontation scenes with Pawan Kalyan are engaging. The “Ee Manase” song recreation serves as a nostalgic treat for fans.

The Mahankali fight sequence stands out as a major highlight, presenting the hero in a strong and impactful manner. Sreeleela looks charming and performs well in selected scenes.

The second half offers a few entertaining moments, especially for fans who enjoy action-packed and dialogue-driven sequences.

Minus Points:

The film follows a predictable and formula-driven storyline with little novelty. The screenplay lacks depth as it focuses more on hero elevation than storytelling.

The first half feels stretched due to weak writing and ineffective comedy. Supporting actors like Rao Ramesh, Gowtami, and Raashii Khanna are underutilized. Raashii Khanna’s role, in particular, feels unnecessary and lacks proper closure.

Thaman’s music is average and repetitive, reducing the overall impact. The film also lacks emotional depth, which could have strengthened the narrative.

Technical Aspects:

Director Harish Shankar opts for a safe commercial template instead of exploring a fresh narrative. Cinematography by Ayanaka Bose is decent and visually appealing in parts.

Editing by Karthika Srinivas could have been sharper, especially in the first half. Music by Thaman feels repetitive, while the overall production values remain satisfactory.

Verdict:

Overall, Ustaad Bhagat Singh is a routine commercial action drama that works in parts due to Pawan Kalyan’s presence and a few high-energy sequences. However, predictable storytelling and weak execution limit its impact. It may satisfy fans but falls short for a broader audience.

Rating:2.75/5